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Patrick Jane Patrick Jane Information Portrayed by young Jane Name Patrick Jane First appearance Status Alive. Last appearance Profession Consultant 2015- Consultant 2004-2013 Fake psychic? Patrick Jane Patrick Jane is a former consultant for the. He uses his keen powers of observation, his brilliant mind and his flair for mischief to solve crimes. Despite his lack of boundaries and disregard for protocol, he is valued because his tricks, ruses and mind games close cases. His motivation in joining the CBI is to find and kill. Jane previously worked as a psychic and became a minor celebrity. Ever since, Jane's life purpose has been to avenge his family by killing Red John. In the episode , he finally exacted his revenge and killed. After two years in hiding, he was recruited to the as a consultant. Biography Jane's date of birth is unclear. In the episode , the birth date on his driver's license is given as July 30, 1969. In the series finale, , the birth date given on his marriage license is September 16, 1974. However, the timeline of the series better matches the 1969 birth date. In the episode , the date of a flashback to a teenage Jane is given as 1986. Jane is depicted as about sixteen or seventeen years old. The episode shows the teenaged Jane working in a carnival as a psychic boy wonder, with his father who emceed the sideshow. He had a rough existence with his father, the only adult in his life, whose treatment and use of him was tantamount to child abuse. When Patrick refused to scam a dying girl and her grandmother, his father threatened him and forced him to do it. Jane later said that he never went to high school, presumably due to the nomadic carny life. In , , another psychic and a former friend of Alex, said that his grandfather and Alex's grandfather came together from Ireland to the U. Sean Barlow spoke of Alex Jane in past tense, suggesting that he might be deceased. Alex exploited Patrick for his skills, since he was very young. In it is implied that Jane spent some time in foster care as a child. Alex had a wedding ring on his hand, but Jane's mother was not mentioned in any flashbacks, so it is likely that she died or abandoned them. While working at the carnival, Patrick met his wife-to-be , whose family was part of the same carnival. They ran away together to escape the carny lifestyle, which her family viewed as a betrayal and which was likely also the cause of Jane's estrangement from his father. Angela's brother, , is a con-man who came back into Patrick's life in. Life As a Psychic Bits of his past have been revealed through flashbacks and dialogue. In several flashbacks, Jane is shown taking part in a television show where he appears to contact the dead relatives of audience members. After the show aired, murdered and their daughter, names revealed in the third-season episode. This burdened Jane with enormous guilt. As a result of his culpability in the killings, Jane had a mental breakdown. Jane admitted to Lisbon that he spent time in a locked facility in the episode,. In the 100th episode , it was revealed that Jane was in the asylum for six months. When he was released, he figured out a way to keep his breakdown out of his file, as he was deeply ashamed of it. It is also revealed that Minelli was aware of Jane's breakdown from the start but didn't tell Lisbon. In the episode , Special Agent discussed the murder of Jane's family and quoted from the case file that someone testified that Angela begged Jane to get out of the psychic game. Working With the One year after his and were killed, Jane approached the CBI to get information about the Red John case but quickly became involved in a case. At Lisbon's request, using his skills, he helped the stymied team catch the murderer. Patrick recovered his self-respect when he saw that the mentalist skills that had resulted in the death of his family could be used for good. Impressed, offered him a position as a consultant. For more information about his first day working with the CBI -. Sophie Miller had given him his life back, by involving him in the murder case, Lisbon played just as big a role. Jane quickly gained a reputation for his cocky, charming, sometimes annoying personality and inspired respect for his dazzling ability to solve crimes. He has used this talent and the threat of withholding it to manipulate , director of the CBI. A dark side emerges when it comes to Red John. Jane has declared, on more than one occasion, that catching and killing Red John is the single most important thing to him, even above his freedom or his life. Reckless as he often seems to be, Jane's actions reveal crucial details in murder investigations. Although Patrick keeps up his cheeky facade, it is obvious that he misses his wife and daughter terribly. However, he will not discuss them, and his guilt and pain have led to sleep issues. He is uncomfortable with physical contact. He has a special connection with children. Jane is often anonymously generous, especially to the victims of crimes -- paying for a liver transplant for the elderly mother of a casino worker, or anonymously donating hundreds of thousands worth of jewelery and cash to charity. Jane has a propensity to play mind games and push people's buttons whether a suspect or just someone he doesn't like. He is shown to be wary of and to avoid all types of physical confrontation and to have a particular aversion to firearms. A notable exception to this occurred when Jane grabbed a shotgun and killed a police officer who was working for Red John in order to save Lisbon -- then threw the weapon away as if it were red hot. After he manipulates the newest Supervising Agent, , in order to capture a suspect, Wainwright, who has a degree in forensic psychology, tells him he has inferred from their interactions that Jane is a clinical psychopath. It's the reason we keep him around. The rest of the team may roll their eyes at his antics, but they fall into line behind him and generally do the grunt work on any case. Lisbon immediately asks for his take on any crime, and he often goes off on his own to solve cases. I wanna say goodbye. I wanna apologize for any pain I've may have caused you and I wanna release you from this curse you've been under. Red John, through , to Patrick Jane Jane shoots After Red John's accomplice is killed while trying to kill in her mountain cabin hideout, Jane who is in a food court in a Sacramento mall has Lisbon use the redial on O'Laughlin's phone and tell whomever answers that O'Laughlin is dead. An average-looking gentleman played by Bradley Whitford sitting in the food court near Jane answers his phone. Jane, seeing this, has Lisbon tell him what the person she called said to her. Jane arrested after he killed Carter Lisbon repeats what the man in the food court had said into his phone. Jane confronts the man, who initially denies it, but moments later identifies himself as Red John. Jane, however, is still skeptical, and confronts the man again as he tries to leave, only for him to reveal to Jane details of the murders of his wife and daughter, specifically, what they smelled like. This sends Jane over the edge, and he calls after the man, then guns him down with a weapon hidden in his coat pocket. Jane then sits down and calmly sips tea while waiting to be arrested, apparently satisfied that this man was indeed Red John. However, in subsequent episodes it appears that the man that Jane had killed was not Red John but a child abductor named , another one of Red John's accomplices. After he kills the , he escapes to South America, but he returns after two years to work as a consultant for the FBI. Appearance Jane's signature look is one that embodies both presentability and the right amount of nonchalance. He almost always wears a 2 button three-piece suit and a dress shirt sans tie, and there are even times where he sleeps in them. Though some purists frown upon three piece suits without ties, Jane makes this ensemble uniquely his. Throughout his journey to capture Red John, the shirts Jane wears are either linen or cotton, in plain whites or sky blues. Patterned shirts during this period do occasionally appear in the form of stripes or checks. After exacting his revenge, Jane almost exclusively wears linen shirts with a light and subtle floral pattern, possibly an influence from his days in extradition. All of Jane's current shirts are button cuffs and the collars are soft, a stark contrast from his psychic days where the shirts have French cuffs and much stiffer collars. His suits are mostly linen or wool in patterns ranging from plain, pinstripes, chalkstripes, and Prince-of-Wales glenplaid , with corduroy making at least. Most of his suits are double vented, with a small number being centre vented. Jane has a preference for notch lapels, but during flashbacks of his psychic days he seems to wear exclusively peak lapels. It is possible that peak lapels remind him of the person he was before his family's death, and he avoids them now an example can be seen in the light grey suit he wore during his TV appearance commenting on Red John, the same day his family was killed - it was a peak lapel - the suit makes no appearance other than during that time. The pockets on his jacket and vest are often slanted, with his jacket frequently having a ticket pocket a smaller pocket on top of the outer right jacket pocket. The first 3 seasons Jane frequently wears an odd vest with his suit, and the cutting of his clothes appears to be rather relaxed. During this period the vests he wears have a sham button as a last button reflecting the sartorial rule of leaving one's bottom button unbuttoned , but in his case the vest is often too short, exposing his shirt in a triangle just above the pants zipper, a major faux pas. Early in season 4 he continues this, but a few episodes later the suits and shirts are much more slim cut, more form fitting on his silhouette. The vest also no longer has the sham button, and he buttons all 6 buttons to great effect - the dreaded triangle is no longer present, making the overall look more streamlined. During his early days of working for the FBI, he forgoes the vest, but a while after starting his relationship with Lisbon, he resumes his habit of wearing the full ensemble. His pants are flat front, slim, tapered, and with a full break. Occasionally Jane wears a belt, which is traditionally considered a faux pas when one is wearing a vest. However he does go beltless rather often. Some of his pants have cuffs, and in the scene where he sneaks into a room and steals a Gold Rolex Oyster Perpetual Day Date we see clearly the cuffs on his pants as well as the full break. Jane has appeared wearing a tuxedo, albeit. Oddly enough, he breaks a cardinal rule of black tie - a single breasted dinner jacket must be either peak lapel or shawl lapel with a one button closure - Jane's tux was a notch lapel 2 button. A man of Jane's knowledge would surely understand this simple rule, and this deliberate breaking of the rules serves as further confirmation of his current distaste for peak lapels. His shoes are brown derbys. Throughout the course of the series, he only had them resoled. Jane marked an by wearing a watch for the first time: a Longines Master Collection Reference Number L2. His choice of this particular model, which bears a brown leather strap and rose gold bezel, is an acknowledgement of Jane's attention to detail as he carefully matches his leathers and metals. He does not wear it during his exile but after returning to the US and starting his stint with the FBI, he resumes wearing the watch. Personality Patrick Jane has a playful and cocky personality and a tendency to ignore authority, often using unorthodox methods which are met with disapproval by his coworkers. Jane is considered to be the finest detective in California. He is capable of amazing feats of Jane in Devil's Cherry observation and induction and although he says he isn't psychic, some people maintain that he must be. Jane is not afraid of taunting others, although after the deaths of his wife and daughter he is more cautious and knows that his actions can have terrible consequences. Although he generally exhibits a happy demeanour, Jane suffers enormous guilt over the deaths of his wife and daughter as well as a ferocious determination to kill Red John, the serial killer that murdered them. After Sam Bosco and his CBI team are murdered by the team's assistant Rebecca Anderson, it's revealed that she's Red John's minion. Despite his grudge against Red John, Jane is reluctant to wield weapons except in extreme circumstances; notably when he saved Lisbon using a gun against a man who might have given him information about Red John. When he met the man who he believed was Red John, Jane shot him to avenge his dead family. Jane is a master manipulator, a trait also possessed by his enemy Red John. He's obsessed with Red John and, it has become apparent, Red John is obsessed with him. There is a close friendship and a hinted-at romantic attraction between him and Lisbon. Jane is aware that his attachment to Lisbon could make her a target for Red John. Red John felt slandered when Jane called him sad, ugly, lonely and tormented. This would make a case for him being anything but. His charisma, intelligence, plus three mistresses that we know of, support this. Since Lorelei made a comparison between Red John and Jane who is beautiful, brilliant, charming -- and only sad, lonely and tormented since Red John made him that way , it would stand to reason that Red John could hold a candle to Jane. Jane has compiled a notebook of everyone he knows believing Red John to be among them. No one gives Red John more attention than Patrick. Red John is a showman; he's performing. And he delights in having so discerning an audience. The brilliant Patrick Jane, whose life is devoted to deciphering his every move. His life would be diminished without Jane. McBride's death is never stated in the show. Virgil Minelli, impressed by Jane's skills, offered him a job as a consultant. That's how he found his way into Lisbon's team. Over the years, the two of them developed a deep friendship and strong feelings for each other. Lisbon is without a doubt the closest person in Jane's life and even though he wouldn't mind getting himself killed if that meant catching Red John, he would always choose Lisbon over Red John, as proven in the season 1 finale, when in order to save Lisbon's life, Jane shoots the only person that could've led him to Red John. Lisbon is the only person that Jane completely trusts and also the only one Jane admitted to that the man he shot in the season 3 finale was not Red John. Jane cares deeply about her, exhibited only when she's in danger, for example when she gets shot by O'Laughlin in season 3. Over the years, Jane has developed romantic feelings towards her, which he admits in the season 4 finale. Seconds before fake-shooting her, he hugs her and tells her that he loves her. Later, when she asks him about it, he claims not to remember his words. Jane doesn't deny this but instead says that he does it to pass the time. She teases him a lot about her like when she asks if Lisbon has a boyfriend, constantly smirking in their direction and just the look on her face and makes it obvious that she wants them to be together. Since Charlotte and everything she says is made up by Jane's mind, it's likely that she was just his way of handling the feelings he has for Lisbon. In the season six premiere, Jane admits that he regrets having told Lisbon about the list of suspects because he's afraid she's in danger. At the end of the episode, Lisbon gets captured by Red John and he uses her phone to call Jane. When he realizes that Lisbon is at the hands of Red John, Jane looks absolutely horrified. Even though Jane does love her, as confirmed by Bruno Heller, he knows that his feelings for her could make her a possible target for Red John. Heller also stated that their relationship will change in season 6. They will realize how they really feel about each other and start acting on these feelings. In the episode , it is revealed that Jane has been writing letters to Lisbon during the two years he has been a fugitive in a South American country following his murder of Red John. When the FBI offers to drop homicide charges if he comes to work for them, his first demand is to work with Lisbon. When they are reunited, he appears delighted and tells her how much he missed her. In the season 6 finale, , Jane confesses his romantic love for Lisbon by boarding her DC bound plane and telling her he loves her. In the final moments of the episode, Lisbon reciprocates his feelings and the two kiss passionately as the screen fades to black. In the season 7 premiere, , Jane starts a romantic relationship with Lisbon. He agrees with Lisbon's decision to keep it secret from their team. In the series finale, , Patrick Jane proposes to and marries his longtime partner, Lisbon, in a ceremony on land he bought to build their home. Teresa Lisbon is now his wife. At the end of the episode, Lisbon reveals she is expecting the couple's first child. It's shown at least once that he has a lot of trouble finding sleep and is implicated more than once that the only place he has really slept in years is Lisbon's couch in the CBI office. In almost every episode, he is seen drinking with a tea cup. However, the timeline of the series better matches the 1969 birth date. Jane is depicted there as about sixteen or seventeen years old. He also once hugged a US marshal, who did not seem too pleased at the action. Both of which consisted of animals, mainly a predator hunting its prey. He has hypnotized many suspects and witnesses though Lisbon frowns on this calling it unethical and illegal. Jane bought her the large cream-colored couch she has now. The fact that he still keeps up taxes on the Malibu house despite his paltry CBI pay, indicates that he has money from his psychic days or that perhaps he plays poker when he needs to replenish his funds. Patrick periodically returns to the Malibu house and sleeps on a mattress under the smiley face Red John painted with his wife's and daughter's blood. To remember things, Jane stores them in a part of his brain he calls. She makes reference to getting together, as he's twirling his wedding ring, and to which he replies, 'Yes, I am', referring to being married. In every other conflict, Jane maintains an amused detachment or engages in humorous banter. There was a similar discussion in Pilot but the scene was deleted from the final product.
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